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Touching the Void

Touching the Void
The Presence and Absence of God in the Poetry of Rivka Miriam and Yonadav Kaplun
Matanya Uri Mali

"[...] אַי אֱלֹהַי אוֹ מִי שֶׁתִּהְיֶה
אָז גָּדַלְתָּ מְאוֹד, כְּשֶׁהִפְלֵאתָ לְהַסְווֹת
אֶת הָרִיק הַדָּוֶה
בָּאַשְׁלָיָה שֶׁיּוֹדְעִים אֲנַחְנוּ מַשֶּׁהוּ" (יונדב קפלון)
"בְּרֵאשִׁית בָּרָא אֱלֹהִים
אֶת הַשָּׁמַיִם שֶׁבְּעֶצֶם אֵינָם
וְאֶת הָאֲדָמָה שֶׁרוֹצָה בָּם לָגַעַת [...]
וְאֶת הָאָדָם הוּא יָצַר
שֶׁהָאִישׁ הוּא תְּפִלָּה וְהוּא חוּט
נוֹגֵעַ בְּמַה שֶׁאֵינֶנוּ
בְּמַגָּע שֶׁל רֹךְ וְדַקּוּת" (רבקה מרים)

How do you pray to God's absence? How can you believe in the absence? This book explains the origins of negative theology and radical negative theology in the philosophical tradition, in the Christian and Muslim traditions and especially in the Jewish tradition. In the Jewish tradition, negative theology is formulated in two paths of negation: one is an abstract monotheism in the center of which God is revealed in a mist without a figure and without an image. The second is the hiding of the face that appears as a theological explanation in times of crisis, when the gap between the promise and the covenant and the grim historical reality becomes unbearable. Both paths are followed by believers in the paradoxical attempt to get closer to God's love.

Rivka Miriam and Yonadav Kaplun are two poets who dare to look directly into the "empty void" and the "sky that actually does not exist", and create from there a living and honest language to connect man and God. The book offers for the first time a comprehensive and in-depth reading of their poetry and an interpretation of the theological aspects arising from it.

Dr. Matanya Mali is a teacher and researcher of poetry and theology.

Digital Edition Kotar

Danacode:   110-20355 ISBN:  978-965-226-643-9 Language:   Hebrew Pages:   382 Weight:   700 gr Dimensions:  17X24 cm Publication Date:   08/2023 Publisher:   Bar-Ilan University Press

CONTENTS

Acknowledgments 11

Introduction 13

Chapter One: Theology, Negative Theology and Radical Negative Theology 17

Negative Theology in the Greek Philosophic Tradition 18
The Origins of Theological Apophatic Discourse in Greek Philosophy 19
Negative Theology in Islam 22
Negative Theology in Christianity 27
Negative Theology: From Christianity to Modernity 32
From Negative Theology to the Radical Negative Theology of “The Death of God” 38
Light from the Cracks: Post-Modern Theology 40
Hebraic Negative Theology: Monotheistic Abstraction and the Hidden Face of God 45
Monotheistic Abstraction 46
The Theology of the Hiding of the Face of God 54
Radical Negative Theology and Eros 64
Conclusion 65

Chapter Two: Poetry and Theology, Poetry and Mysticism 67

Poetry and Theology (Theopoetics): The Act of Poetry as a Theistic Act 67
Poetry and Mysticism 73
Mysticism in Poetry: Universalism and Particularism 73
Mystical Poetry: Characteristics 76
Why “Theology” in the Poetry of Rivka Miriam and Yonadav Kaplun 78
The Research Discourse on Theology in Hebrew Poetry 80

Chapter Three: Presence and Absence – Theology in the Poetry of Rivka Miriam 83

Introduction 83
The Research Relating to Rivka Miriam's Poetry 84
The Research on Rivka Miriam's Holocaust Poetry 85
The Research on Intertextual Aspects in Rivka's Miriam's Poetry 87
The Research on Mysticism and Eroticism in Rivka's Miriam's Poetry 88
Theological Trends in Rivka Miriam's Poetry 89
The Revelation of God as Nothing and Absent: From Presence to Abstract Presence 90
God that is Old and Weak, God that is Empty 96
Sensual Nothingness 97
The Point of Nothingness: The Connection Between Man and Woman 99
Standing Before the Absence: The Researcher as an Analogy 100
“In the Heart of the Stone, Said the Researcher / There is a Hole”: The Hole and the “Chora” as Anti-Place, Alternative Female Theology 103
Loss of Self 107
Loss of Self as a Basis for Unification with the Sublime and Internalization of the Voice of God 107
Loss of Self: The Search for the God of the Individual and the God of All 109
Loss of Self: Neglect as a Connection 110
Loss of Self: Coercion as a Creative Force and as a Basis for Closeness with God 111
Intertextual Strategies: Challenging and Preserving the Tradition 113
Syntactic Dissonance, Intertextual Subversion and the Canonical Status of Prayer 113
Great, Mighty and Aweful: A Tradition of Erasure and Interpretation 115
“I Have Gotten a Man with the Help of God” – Collage: A Strategy for Acceptance 116
The Use of Traditional Language Against Tradition 118
The Dead Eyes of Uncle Leyvish: Prayer that is a Trauma 121
The Absence of Decisiveness as a Way of Preserving Tradition 122
“In Their Love They Erased the Meaning of all Words”: Erasure as a Way of Preserving Tradition 124
Criticism and Opportunity: Feminist Readings in Holy Tradition 125
“By Himself”: Critical Feminist Theology 125
Disruption and Grotesqueness: Feministic Subversion 128
“The Rabbi Swung as a Merciful Mother”: The Motherly Image of the Rabbi 130
Tradition in the Face of the Terror of the Holocaust 134
“And I Deepened in the Dead”: The Consciousness of God as Nothing that Arises from the Internalization of the Death of the People 134
An Erotic Meeting with Death: The Prose of the Father and the Poetry of the Daughter 139
The Continuation of Tradition as a Broken Tradition 146
“Hear O’ Israel” and the Eye Half Shut 149
The Decline of Metaphysics 151
The Recognition of Heaven as Nothingness 151
The Absence of Metaphysics: Tradition in Crisis and a Serious Game of Hide and Seek 154
The Internalization of the Consciousness of Metaphysical Emptiness 155
The Absence of Metaphysics: The Crisis of Tradition and the Consciousness of Being an Emissary 157
Retrospectivity: Return to Revelation 158
“Whoever Bit Me at Night”: A Look from a Distance at the Erotic and Violent Elements of Revelation 160
Looking Back: Loss within Loss 162
Looking Back: The Encounter of God with Child 163
Looking Back on the Weak God: Intimacy and Closeness Instead of Attraction and Violence 164
“I Have Spread Before Me the Names of My God”: Retrospective as God’s Request 166
“God of Playfulness”: The Birth of Presence Out of Amusement, a Return to a One-Time Revelation Experience 168
Intimacy and Sex as a Space for Revelation 171
From Eroticism to Sexuality and From Monogamy to Polyandry 172
Intimacy with Nothingness 175
Disconnection between Man and God as an Expression of Connection 180
Simplicity as a Strategy for Meeting God 184
The Simple Presence of the Ancient God 185
The Burning Bush as the Simplicity of Our Body: The Body as a Space of Revelation 186
“To Call All by the Name of Simplicity” 188
The Theology of Rivka Miriam’s Poetry: Conclusion 189

Chapter Four: “Then You Were Greatly Magnified, When You Marveled to Disguise / The Empty Void with the Illusion That We Know Something”: Theology in the Poetry of Yonadav Kaplun 192

Introduction 192
Research on the Poetry of Yonadav Kaplun 193
Theological Trends in Kaplun's Poetry 196
Missing Out as an Opportunity for a Meeting between Man and God 198
Revelation from the Low and the Contemptible 201
The Divine Reveals Himself in Shades of Darkness: Revelation of the Inside and Revelation of the Outside 205
“In the Dark Courtyard the Steps of My God” 205
Revelation of Darkness: Disappearance and Light 207
“I Will Have a Home”: Between Home and Revelation 208
The Language of Poetry, the Language of Revelation 212
Disillusionment with the Language of Purity of Religious Consciousness 212
The Muteness of Poetry and the Muteness of Revelation 213
The Journey to the Divine is the Journey of Separation from His Names 215
A Secret Language Between Man and God 218
The Flight of the Word in Front of God 220
Writing, Revelation and Sexuality 221
Sexual Potency, Poetic Potency and Presence Before God 222
Exposed Sexuality as a Replacement of Romantic-Cosmic Symbolism in Meeting with God 224
“And I Embrace the Last Worshiper”: Awareness of Passion – Religious Renewal 226
Divine Revelation in the Concrete 227
New Prayer in the Abandoned Border Areas 228
Religiosity and Passion 230
“I Will Break and Give Birth”: The Revelation of God, the Revelation of Man 232
Passion on the Way to the Western Wall 234
The Internalization of the Burning of Faith: Passion, Marital Intimacy and the Renewal of Faith 238
Sexual Dream: A Connection between Man and God 241
“One Time”: Sexuality and Standing Before God – a Retrospective 242
“A Void More Precious Than Anything”: Heresy and Secularism – Opportunity for Faith 248
Transcendence beyond Time and Place: Breaking the Religious Boundaries 250
Disenchantment and Change: The Believing Heretic 252
Revealing the Mechanisms of Language as a Response to the Theological Challenge of the Disconnection between the Signifier and the Signified 258
The Disillusionment of the Believing Heretic 259
The Prayer of the Heretic 262
“Spanish Poem”: Mythological and Historical Foundation for the Position of the Believing Heretic 264
God – A Thing or an Illusion? 271
“Perhaps,” “The Castor Song,” “Probably” 271
“Days When the Sun is a Flashlight”: God Reveals Himself in History 273
“God – A Thing or an Illusion?” 275
“When You Marveled to Disguise the Empty Void with the Illusion That We Know Something” 276
A Person in the World: Another Day in the Fear of Death in the Face of the Eternal Evasive 278
Revelation and Reflection 279
“[I] Create God in the Fall” 280
“I am like your God, Live only as Long as You Live” 281
Sarcasm, Hesitation and Reflection before the Temple Gate 281
A Reflection on the Idea of God’s Creation by Man 284
Me and “God’s Broad Black Shoulders”: Human and God Relationships in Three Pictures 285
“Six Last Songs”: Faith from the Liminal Position 289
Theology in the Poetry of Yonadav Kaplun: Conclusion 291

Chapter Five: The Poetry of Rivka Miriam and Yonadav Kaplun in the Realm of the New Hebrew Theological Poetry 295

The Weak God and Resistance to Tradition 296
Prophets in the Decline of the Gods: The Persona of the Prophet in Hebrew Poetry – From a Redeemer to the Signifier of the Missing 300
Existent and Non-Existent 302
The God of the Low, the Disgusted, the Banal and the Day to Day 306
Sexuality and Closeness to God 312
Sanctuary: The Empty Room, The Huge Stump 314
“The Past Moves within the Present”: The Boundaries of the Self and Time 317
“Blessed be Thou, my Lord, In Your Net the Child has been Caught”: Childhood and Death as a Basis for Mystical Poetry 320
Sabbath Candles Lighting – A Meaningful Theological Junction: A Masculine and Feminine Perspective 322
Candle Lighting – A Male Perspective: Mother, Woman, a Subject of Longing and the Presence of Religiousness 323
The Sabbath Candles – A Feminine Perspective: Coping with Trauma and Lighting up the Profane 325
Conclusion 329

Bibliography 335

Index 365